20 Piece Polishing Challenge Video #2: Bourée in F Major

For the second piece in my challenge, I chose a piece that would juggle nicely with Easter Triduum music and getting speed and memory secure in Typhoon. I picked Telemann's Bourée in F Major.

ABOUT BOUREE IN F

Composer: Georg Philipp Telemann (1681 - 1767), Germany

Source: RCM Level 7 Repertoire

Notable Score Markings: M.M. = 88 - 100 to the half note, devoid of expression and dynamic markings

Prior Experience with the Piece: I've taught this lively piece many times as it is a favourite choice amongst my Royal Conservatory students. 

Learning Challenges: Jumps, voice balance, fingering, speed

My Practice Log

Day 1: Ran through the entire piece. Reviewed patterns and structure. Identified fingering and coordination trouble spots. Did a bunch of blocked chord drills while yelling out the chords. Remembered to record practice videos to show how I drilled the trouble spots.

Day 2: Did a full run-through - cold. Tempo was just a few notches below the recommended tempo but wasn't able to maintain it during the trouble spots. Played around with ornaments and terraced dynamics. Will try a couple of different coordination and flow drills next practice.

Day 3: During my student's lesson, I showed her how I worked on her trouble spot in bars 10 - 12 using the Twice as Hard Drill. We dissected the harmonic structure in the B section.

Day 4: Did some slow run-throughs with and without the metronome, using the Every Other Bar Drill to work on flow. Decided to record a snippet of running through the second page for Instagram account. Naturally, I picked a spot where I wasn't swearing at myself for messing up.

Day 5: Did a full run-through of the piece at around while stopping to drill spots where I stumbled. Tried playing through again at a slower tempo (approximately 70 beats per minute). It was flowing fairly well. Dynamics and shaping is all there, if I can get the flow more consistently, then we're good enough to perform. 

Day 6: Played with the metronome set at 66 beats per minute to start. Got up to approximately the 76 bpm range sounding confident and fluent. Piece felt rushed and wobbly at a faster tempo.

It is important to note that most Baroque music is devoid of markings. That leaves tempo, dynamics, and expression up to the musician, based upon their knowledge of Baroque music and performance practices. Although the RCM book does specify a tempo marking, note that it's only a recommendation. 

Bourée the piece is based on bourée, the old Baroque dance. The important things to convey are the characteristics of the dance - upbeat and bouncy - along with the period characteristics of terraced dynamics and ornamentation. If that can be conveyed at a slightly slower or faster tempo than what RCM recommends, that's perfectly fine.

Having said that, I felt comfortable and confident enough with my Bourée in the the mid 70s range and decided to record. I wound up with a strong run-through on the first take. I did try for a second take in hopes of getting a cleaner performance but the magic was gone. This is still a fluent performance, so I'll take it.

Piece number #3 is in the works. I tried recording a practice video today but my camera batteries died and I wasn't too happy with my webcam and mic either. A clear sign that it's time for me to move on to practising music for this weekend's Easter services.

You can follow my progress with this challenge by checking out these two playlists:

• My 20 Piece Polishing Challenge Playlist - contains the video performances

• My Practice Videos - show how I work through some of the common trouble spots

The practice drills I have referenced are part of Maestro's Music Tricks - a deck of cards with practice drills that I have put together with my students' help. It's going to be getting a reboot later this year. Stay tuned for details.

Check back here for my thoughts and musings as I work through the pieces.

What does pizza have to do with studying music theory?

"Pizza" probably isn't the first word that comes to mind when you think about studying music theory. Now, it's probably the first thing my students will think of whenever they study music theory. The idea of hosting a pizza music theory party came from my colleague, Dorcas Ng. Whenever she shared pictures from her music theory and harmony study sessions, it looked like the students were having a great time studying and eating pizza.

This is my first year teaching music theory as a group class. It didn't take long for me to realize that my Basic Rudiments / Theory 1 class would need coaching on certain areas, in addition to extra help on how to study music theory. It didn't take much convincing to tell them we should have a music theory study party with pizza.

Three out of four of my students in the class attended the music theory party this past Saturday. The party lasted for 2.5 hours. We got to a slow start because everyone slept in. Then, of course, the weather.

Each student bought study snacks to share. I purchased two 12-inch pizzas from Sobeys from the deli section.

The class was also part of an experiment. In October, the students drafted up rules of conduct for the studio. Each time a  student exhibited good manners as per "the rules", I added a marble into the Good Manners Jar. If they filled it up to the line (which they did), then I would get them a special dessert for the music theory study party.

The first hour of the music theory study session was dedicated to review. I zoomed in on the typical troublespots: the Circle of Fifths, intervals, rhythm and chords.

My students came up with a unique mnemonic to remember the Circle of Fifths:

We then took a 10-minute break, which gave me enough time to prepare lunch. One student played a game, another jammed on a keyboard, while the third student sketched.

The next part to our "How to study music theory" session was dedicated to working through a practice test. It was open book and I allowed my students to ask each other questions. This way, they could start developing their self-study music theory strategies.

During lunch, we chatted about non-music topics, such as everyone's plans for the weekend. We also discussed history, travelling and inventions.

The final part of the music theory study session was dedicated to vocabulary. My students took turns being the Quiz Master. It was a delight to listen to them give each other hints:

Students A & B: FORTE! FORTE!

Student C: I can't think! You're both too loud.

***

Student A: Rall - en - ta - - - n - - - d - - - - o - - - - - -

Student B: To get slower?

I took a snapshot of a couple of other cute definitions, mispronounciations and study helps that they came up with:

For homework, they are to complete the practice test. On Tuesday, they will write an in-class final examination.

Two of my students will write a music theory examination through either Royal Conservatory of Music or Conservatory Canada. The other two will continue to the next level before writing the official examination.

Afterwards, I asked each of my students if they gained a better understanding of music theory during the study session. The answer was a resounding "YES!" They also had a good deal of fun, whether it was when they were developing the Circle of Fifths mnemonic, drilling vocabulary or telling me, "Are you writing that down? You should post that on your Facebook."

Music theory has been one area that my students have called "boring". Teaching music theory in a class setting was my first step to changing things up. Hosting the music theory study / pizza party was another. It is my hope that the two changes make studying music theory a bit more interesting and enjoyable.

Music Examination Systems in Canada

An overview of the music conservatories used in Canada and the music examination boards, including RCM, ConCan and CNCM.

Music examinations have played an intrinsic role in Canadian music education since Confederation. Music teachers, music students and their parents can benefit from learning more about the various curricula available so as to adopt a system that complements the teachers’ vision and the students’ goals.

The Royal Conservatory of Music – Canada’s Oldest Music Examining Board

The Royal Conservatory of Music of Toronto (RCM) was established in 1886. Notable alumni include 15-time Grammy Award winner David Foster, former Governor General Adrienne Clarkson and jazz legend Oscar Peterson.

Preparatory to Grade 10 practical examinations are available for all brass, percussion (including piano), strings and woodwind instruments, as well as accordion, speech arts and voice. Exams are offered for all levels of music theory and musicianship.

Associate Teacher/Performer (ARCT) and Licentiate (LRCM) certification are available. High school accreditation is granted for Grades 6 – 8.

Examinations can be taken worldwide in December/January, April, May/June or August. In the US, RCM Examinations is known as the National Music Certificate Program.

For practical exams, students prepare four to seven contrasting pieces from different musical periods (Baroque, Classical, Romantic, Impressionism/Late-Romantic and Modern Classical). They are also tested on aural, sight reading, rhythm and technical proficiency.

Traditional and Contemporary Music Examinations Through Conservatory Canada

Conservatory Canada (ConCan) is a merger between two regional conservatories that stemmed from amalgamations of older systems:the Western Ontario Conservatory of Music (founded in 1891) and the Western Board of Music (established in 1934).

Grade 1 – 10 Traditional practical examinations are offered for all brass instruments, clarinet, classical guitar, flute, organ, piano, saxophone, teacher development, violin, viola, violoncello and voice. Associate Teacher/Performer (ACCM) and Licentiate Teacher/Licentiate Performer (LCCM) certification are available. ConCan also offers music examinations for Levels 1 – 10 in piano, guitar and voice through its Contemporary Idioms syllabus.

Examinations are held throughout Canada in February, June and August. Partial examinations are available for the higher grades. Music theory exams are available for all levels.

Conservatory Canada offers recital assessment, teacher development and mini-lessons with the examiner. Students can apply their examination marks for high school credits in music.

Music students prepare six to eight contrasting pieces, from Baroque to 21st Century Classical for Traditional examinations. They prepare four contrasting pieces for Contemporary Idioms, ranging from ragtime to rock. They are also graded on improvisation and lead sheet playing.

For both formats, students must perform a supplemental piece. They can select one song from the other program, improvise or perform their own composition. Technical tests also assess fluency of chords, as well as jazz scales, church modes, whole tone, pentatonic and octatonic scales (much more than just traditional major/minor scales). Bonus marks are awarded if one piece is performed with a CD back-track or live jazz musicians. Aural, sight reading, harmonization, rhythm, transposition and musical knowledge are also graded.

Comprehensive Exams Through the Canadian National Conservatory of Music (CNCM)

CNCM was founded in 2002. Introductory Level – Grade 10 practical exams are offered for piano and voice (strings program in development). Certification is available in Early Childhood Music Education, Pedagogy, Associateship in Music (A. Mus.), Licentiate in Music (Lic. CNCM) and Fellowship.

Students can take a Performance Exam, where they perform a full recital programme for the examiner, family and friends (other components are tested separately). Alternately, students can take a Workshop Examination, in which all requirements are performed privately for an examiner. The parents and the teacher can attend the interactive workshop.

Students can do a “theme examination”, such as an all-Disney recital or a Canadian composer programme. As with all music examinations, solo performance is graded. However, it is possible to perform a collaborative work, such as a piano duet or a jazz combo in a theme examination.

Students must prepare at least seven works and one encore. Aural, vocalization, sight reading, harmonization, rhythm, transposition, improvisation and musical knowledge are also assessed.

Music examinations are held throughout Canada in February, May/June and August. Partial exams are available. Music theory testing is offered for all levels. CNCM has applied for Prior Learning Assessment and Recognition to grant high school accreditation.

Some Canadian music teachers and students follow a British curriculum. Two popular conservatories are the London College of Music and Media (LCM) and the Associated Board of the Royal Schools of Music (ABRSM).

Each music conservatory has something to offer; therefore it is impossible to say that one is “the best”. Music teachers contemplate several factors when deciding which system(s) to use, from their teaching philosophies and approach to their students’ skills, aptitude, interest and commitment level. These grading systems and curricula offer music teachers and students a broad spectrum in music education.

Sources:

Canadian National Conservatory of Music. Canadian National Conservatory of Music Piano Syllabus. Markham: Mayfair Montgomery Publishing, 2002.

Conservatory Canada. Conservatory Canada Piano Syllabus, 1999 Edition. Waterloo: Waterloo Music, 1999.

The Royal Conservatory of Music. he Royal Conservatory of Music Official Examination Syllabus, 2008 edition. Mississauga: The Frederick Harris Music Co. Ltd., 2008.

Official Syllabi of The Royal Conservatory of Music: Popular Selection List, 2011 Edition - An Addendum to the Piano Syllabus, 2008 Edition

(2011 Edition). By The Carnegie Hall Royal Conservatory Achievement Program. For Piano. This edition: 2011. Piano. Official Syllabi of The Royal Conservatory of Music. Level 1-9 (Level 1-9). Book. 36 pages. Published by The Frederick Harris Music Company (FH.S34)

...more info

Sheet Music Plus and Passive Income Streams

I like to shop locally whenever possible. However, sometimes it's just much more economical and just gosh darn convenient to shop online. Digital orders are just a couple of clicks away. You see with the ads on the side that I'm affiliated with Amazon. If you check out the ads, you'll see that I'm actually able to tailor them so that you will see music related items. Teachers, you can do this on your studio website and/or your blog, providing that your account allows you to host ads (for instance, Wordpress.com blogs don't allow ads but Wordpress.org blogs do).

Now, there is another joint in town though that sells a great selection of print and digital sheet music, learning aids and other musical goodies - Sheetmusicplus.com , This is the place that Rideau Music directed their customers to when Gill brothers closed their doors last year.

One of the cool things is that music teachers can create music lists for their students. Anything to make it easier for our busy piano parents to buy the right materials, I say. Some of my piano parents already shop online for sheet music.

Here are my lists:

• Beginner Students Music List

• Supplemental Music List

• Fake Books & Jazz Materials List

• Conservatory Canada List (sadly, very limited. Mayfair Publishing has the full product offering)

• Royal Conservatory of Music List

• Technical Exercises & Study Aids List

Fellow music teachers, if you sign up for a teacher account, you can register for their Easy Rebates for Music Teachers program. You can earn 8% cash back on your sheet music purchases. Not only that, by creating music lists and sharing them with your students, family and friends, you will earn a little bit with every sale.

If you're looking for an additional income stream that requires very little effort, check this out. Just bear in mind that as with any passive income stream online, it does take time to build up your presence. You will need to go in an occasionally tweak the keywords and update your lists. You will also need to remember to periodically share the lists with your network of family, friends and students via print, email, your website and/or social networking.

Good luck and happy shopping!

RCM and ConCan on Youtube

Students - did you know that the Royal Conservatory of Music and Conservatory Canada have their own Youtube Channels? Check out tips, great performances, repertoire demos and interviews with musicians past and present. Conservatory Canada Youtube Channel

Royal Conservatory of Music Youtube Channel